Sreehari Nair lists some movies, documentaries, recorded-performance films, and literature and music suggestions that might help.
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Get your selfie sticks out, because believe it or not, there's now a museum of selfies!
Six pieces of malware present in the laptop had truly terrible track records. It's estimated that these six programs have logged combined damages of $95 billion between them, says Devangshu Datta.
'I have a voice and must use it to do as much as I can.'
Himesh Reshammiya, the only valid reason for Teraa Surroor's existence, does not show any expression. Not even one. Not even a quarter, notes Sukanya Verma.
Bollywood is rushing to embrace him, but Vivian Fernandes aka DIVINE wants to rap his own tune, discovers Shreevatsa Nevatia.
Kenyan authorities are questioning a British national arrested at Nairobi airport as he tried to board a Turkish Airlines soon after an upmarket mall was besieged by militants in that country's capital.
If "innovation" were a person, he or she would have looked like David Bowie.
How much would collectors be willing to pay for owning a part of Indian history, asks Kishore Singh.
The stark simplicity of the dialogues, the well-etched characters, the intriguing plot, the captivating music, the cinematography, but most of all the brilliant twist at the end makes Director Balaji K Kumar's Vidiyum Munn a must watch, says S Saraswathi
God bless Ritesh Batra, raves Sukanya Verma.
His death puts the species on the very edge of extinction.
Get inspired from Bollywood and holiday in style!
'The bumblebees in Par Ek Din may not be flying yet, but even as they dangle in mid-air, their stings hurt.' 'Effortlessly graceful, this is a work of passion that conveys what being passionate about something truly feels like,' says Sreehari Nair.
Ram Gopal Varma is back with Part Three of that series, which presented to us the first clear evidence that the great man was slipping, rues Sreehari Nair.
Devika survived a bullet injury on her leg and was one of the eye-witnesses to identify the lone-captured terrorist of the attacks -- Ajmal Kasab.
There is a reason why Surya and Ishan's wedding on May 10 will make history.
The film flaunts Bindu as some sort of a free-spirited bohemian when she's really this unlikable, untrustworthy, selfish, vain, flighty opportunist sweet-talking Abhimanyu into catering to her needs all the time, feels Sukanya Verma.
'Now with many itchy-fingered ex-bosses being raked through the mud, their marriages ruined, their careers trashed, their finances hit, the inclination of many male hiring managers will be to hire fewer women,' believes Rajeev Srinivasan.
Sreehari Nair presents his Top 20 movies of the decade.
Every time a filmmaker wishes to explore history or religion on his or her terms, self-appointed experts and limelight-seeking zealots swoop in to protest, says Sukanya Verma.
Though it is a little too neat and a little too light, Rubaru Roshni is important because it is telling us stories of people who have experienced an 'Inner Migration' in their lives, notes Sreehari Nair.
Aseem Chhabra lists the top 10 films at the recent Toronto International Film Festival.
For people like me, all these fast-moving gadgets are not only costly and confusing but emotionally barren as well notes Barun Roy.
The English city's unheralded football club is on the brink of becoming league champions for the first time in their 132-year history, with just three defeats all season.
'In Udaan and in Lootera, the initial sensations that drove Vikramaditya Motwane to make those pictures never quite travelled beyond the walls that contained them.' 'Here, in Trapped, this sensations-strangled-by-the-walls feeling becomes the movie's real tune,' says Sreehari Nair.
'Politics has become a toilet because we delegate everything.' 'We have to catch a bus, watch a cricket match, live our life... we feel this (politics) is not part of our responsibility.'
'It is impossible to pin down the genius of David Bowie, to distill any kind of essence of that singer-songwriter-visionary-buccaneer-icon into a line or several.'
'Even when toasting a true story, say our movies, a superstar is worth more than a real hero,' says Raja Sen.
Even after three decades, Mandi proves its lasting relevance and powerful impact on cinephile memory by inviting comparisons to Vidya Balan's Begum Jaan.
'Oddly enough, everything Raazi cannot explain or put a finger on, it glosses over in the name of patriotism or watan-love; glorifying thereby the very sentiment it had set out to mock.' 'This is the unique tragedy of the film: it becomes less of a counterpoint to pseudo-patriotism and more of a companion piece,' says Sreehari Nair.
'Movie plots clearly don't excite director Dileesh Pothan as much as true stories where life had come dizzyingly close to becoming like a movie and then, had fused back with life.' 'This means that a conversation he overhears at a tea shop is more likely to give Pothan a setting for his next picture than a brainstorming session inside a conference room,' says Sreehari Nair.
'The directors of these movies to me are less like artists and more like red-pen remarkists, whose idea of a script is basically checking off the broadest of issues in the broadest possible ways: Sexism, Check. Misogyny, Check. Loving yourself, Check,' says Sreehari Nair.
'It doesn't really matter ultimately what individual commentators say or write about Modi. So long as he continues the BJP's march towards greater vote share, a bigger geographic spread and a crushing of the Congress, he is a success,' says Aakar Patel.
'The novelist's dilemma in facing climate change is really the symptom of a wider failure.'
'Article 15 is not the work of a hack, or of someone merely scooping a plot out of newspaper headlines.' 'It is a well-researched, clear-headed movie; but its findings have a purpose,' says Sreehari Nair.
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More than two decades after Michael Jackson wowed us all with Thriller and Bad, his iconic dance moves continue to inspire Bollywood's best dancers.
